Von den Möglichkeiten translatorischen Handelns
Eine performative, ausgangskulturorientierte Perspektive am Beispiel Antoine Gallands und der ‚Tausend und eine Nacht‘
Keywords:translation theory, translation history, source-orientedness, reciprocity, thousand and one nights, Antoine Galland
This article deals with the translation history of the Arabic narratives of the ‘Thousand and One Nights’ from a performative, source culture-oriented perspective. The two-stage nature of the translation process as interlingual/bilingual communication implies a one-dimensional linearity that determines the relationship between source and target text. The effects of translation on the production/reception of the source text fall beyond the conceptual scope of the concept of translation and cannot, in principle, be dealt with in a translation-theoretical framework, resulting in a static-genetic conception of the source text as a “source”. I will use the 'Thousand and One Nights' to argue that a new concept of translation as a performative movement towards the source text can better demonstrate the complexity of translational action and expand the interpretative possibilities of translation as an interaction between a source text and a target text. The role of Antoine Galland and his translation of the ‘Thousand and One Nights’ (Les mille et une nuits) is highlighted.
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Copyright (c) 2019 Akkad Alhussein
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
licence: CC BY-NC 4.0